This piece will be on view at Atelier6000, in Bend, Oregon from March 1st to the 31st. The exhibition “The Stolen Image” is based around artists that use a transfer techniques in their work. This piece is an encaustic monoprint on steel of one of my recent drawings. If your going to Oregon stop in and check it out!
The Suffolk Art Center in Suffolk, VA is putting on a show titled Abstracts: Borrowed from Reality with the help from curators Pam Rogers and Trudi Van Dyke. The show will feature a number of artists who recently exhibited at the DC Art Center aswell as 6 of my own works, including the piece above Medias. The show will open on March 9th and run to April 15th.
More good news: my piece Chauliodus sloani was recently purchased at the Torpedo Factory Art Centers Patron Show Auction. My work was on donation and all proceeds go to benefit the Torpedo Factory Art Center in my home town Alexandria, VA! Thanks to those that purchased works and for supporting the arts!
I’ve been busy making work at the TFAA (Virginia studio), having a blast and putting in long hours. I just hung work at the DCAC for their Wallmountables show. The opening was Friday and the show was a lot of fun to see. Artists from all across the spectrum showed their work (Four year olds to local emerging artists to the pros). I also ran into an old friend Kim Burke. She is part of a DC art collective that runs an blog Bored of Trade and also showed one of her new sculptures. Below are some shots and some new works both finished and in progress.
To day is a pool and BBQ day, tomorrow….back to the studio for another week of art making! More posts of new work to come! Enjoy the week and be sure to check out The Mountain and the Sea for their DEFY monday post!
I’ll be installing some work at the DCAC 1460 WALLMOUNTABLES 2010 show this week.
The DCAC’s Annual Open Exhibit!
The Show runs from July 23 – August 29, come on out to the Opening Reception: July 23, 7-9pm. There will be up to 350 pieces in one show from many artists! To learn more or get directions visit the DCAC.
I can pick up to 4 pieces to submit all under 2′ x 2’……… where to begin?!
See you there!
Evaporation, Rust on Steel, VC
This piece is about to get some new brothers, two rust and encaustic pieces and a new woodcut should be getting churned out of the studio this week. Will they make it in time for the Wednesday install?
Come by Studio 31 @ the Torpedo Factory between July 10th and August 10 to see some new work!! This month I’ll be making new woodcuts and encaustics.
Diego Gutierrez Map of the New World, c. 1562
Here is a snap shot of my work up at Lane Palmisano’s and Michele Hoben’s studio in the Torpedo Factory Art Center. Recent and some past work will be up for viewing throughout the month of May. The Torpedo Factory (TFAC) is an amazing art center in Northern Virginia. (Alexandria).
“Calore” – Lane Palmisano
Lane has been making increasingly significant oil paintings for as long as I can remember. Recent pieces involve her traditional impressionistic expertise breaking down into abstract and contemporary landscapes. Spatial relationships emerge and disintegrate both in the final image and throughout the painting process where Lane applies and scrapes paint with a variety of tools. Color is constantly put to the test in the paintings. The pieces currently hanging in her space showcase a variety of palettes; from transparent earth tones, to impasto pinks and yellow-greens. The paintings all explore a sense of distance between her often explosive brush strokes and imagined horizons. The recent work I like the best has a real breakdown of what that horizon line is defined as: A range of marks that are at once built with hard edges and areas that subtly play into a disappearing act.
“By The Paddocks” – Michele Hoben
The studio is also shared by Michele Hoben. She is exhibiting and producing paintings that incorporate mixed media and collage. The pieces seem to center on abstract environments that incorporate conceptual fences and response to landscape and feelings of containment. The fence is often at first concealed by what the viewer might believe to be a series of well placed marks and lines. Viewing evolves where the lines enter the foreground and your eye seeks to look through them. The lines at once hold your attention and frame the painting into sections of color and light. It is this subtle play between positive and negative spaces that begins to create movement in the works. The pieces also have a range of painting applications dealing with transparency, saturation and opacity.
At the TFAC studio space Lane and Michele’s works exist in a dialogue about boldness and subtleness of color, descriptions of space, and a unique combination of calculated and free mark making.