Ushering in the new year I thought it was time for a change. I just made a new website, now with bigger pictures and more work. If you have a moment check it out. I would love any feedback, I am still dialing in the background and organization. www.VincentColvin.com
This year I am preparing for my first large scale solo show in July at the Southwest School of Art in San Antonio, Texas and I am applying for a number of Artist in Residence Programs in our National Parks. I’ll be posting new work as I go along. Here’s to what I hope will be a productive year!
Alaska has one of the most visually arresting landscapes I have yet encountered. The feeling of its wilderness around you is truly inspiring. It is different than hiking in the Blue Ridge, biking in back country Central Texas trails, different than any other place I’ve been. It is the lighting directly overhead, spiraling around you never below the horizon. It is just a dirt road, a rambling oil pipeline and once that gets out of view, long stunning rolling hills of green and yellow, dashes of purple and red, blue blue mountains blocking the horizon miles away.
The sky has a volume to it. The clouds with their weighted rain filled bases wrapping up into the air turning into wisps and puffs of shape. On a clear day, looking to the Brooks range everything is just as far away as the first mountain, all others around it blending together. Then the clouds start to roll and suddenly something you thought was 20 miles away now has clouds forming between it and the other mountains that are no longer so close. Dumping sheets of gray purple rain this atmosphere creeps towards you, faster than in most places I have been. Just when you think it is getting close the cloud catches another wind drift from one of the rolling valleys and starts to wander off in another direction.
Happy New Year everyone! Here’s a piece that I’ve been working on for the last year and a half. I decided this morning that I think I’m finally done. Better images to come, the highlights are too washed out here, they don’t show all the colors that are truly there, far to bright on the photograph, but I was too excited to wait to post this. The actual piece is much quieter and more centered in midtones and darks with a few radiant highlights. I was glazing it this morning with Raw Umber, Paynes Gray, and Ultramarine, and it finally achieved the look of being moonlit which I’ve been seeking. When it dries I can get some better shots. Let me know what you think!